
One of Brooklyn Carnival’s most recognizable Mas organizations is drawing a line in the sand.
Sesame Carnival says it will not participate in the 2027 Labor Day Adult Parade in its current format unless meaningful changes are made, raising major questions about the future of Mas on Eastern Parkway and the direction of New York’s Caribbean Carnival.
The message goes far beyond whether one band will participate next year. It is a call for organizers, community leaders, cultural institutions, sponsors and government partners to reconsider how Carnival supports the people responsible for creating its most recognizable cultural elements.
“Mas needs a reprieve. Carnival needs a reset. And we must be prepared to explore the alternative,” Sesame Carnival said in its statement.

At the center of Sesame Carnival’s position is a straightforward argument: if Mas is one of the primary products being presented to the public, then the people who create Mas should be reflected in Carnival’s investment, infrastructure and priorities.
That includes masqueraders, designers, wire benders, costume makers, musicians, steelbands, artists, volunteers and bandleaders — many of whom spend months preparing for a few hours of presentation on Labor Day.
Those concerns aren’t emerging in isolation.
A 2024 Columbia News Service report examining Brooklyn Carnival found that participation among Mas bands had fallen substantially over the previous several years. The report said 35 bands participated in 2017 compared with only 18 in 2024, while also highlighting concerns involving costs, security and the overall Carnival experience. Sesame Carnival development director Michelle Mathison also raised concerns about younger spectators not understanding Mas and its history.
Sesame’s importance to the tradition is considerable. The organization has participated in Brooklyn Carnival for decades, and its Mas camp represents the labor-intensive process behind Carnival costumes — from designing and wire bending to applying feathers, beads, stones and other decorative elements. Costume creation can take anywhere from days to months.
Another major part of Sesame Carnival’s message is the next generation.
The organization believes young people need to be reconnected with the traditions that created Carnival so that Mas does not become secondary to the party surrounding it.
Sesame Flyers International has historically made cultural education part of its broader mission, providing programs including steel pan, dance and other youth and community initiatives. Its work demonstrates that Carnival culture doesn’t begin on Labor Day morning — it has to be taught, practiced and preserved throughout the year.
There are encouraging signs.
In 2025, News 12 Brooklyn profiled 14-year-old aspiring designer Khristian Wolfe working inside Sesame Flyers’ Mas camp, learning firsthand how Carnival costumes are constructed. Wolfe described Carnival as something much deeper than simply “bikinis, beads and feathers,” illustrating exactly the kind of generational cultural transfer Sesame says must continue.
Sesame continued that mission in 2026. During its Caribbean Essence Awards and Showcase, the organization promoted Caribbean heritage, youth programs and scholarships while unveiling its costumes for the Labor Day Carnival.
The warning carries additional weight because Sesame was not on the sidelines this year.
Sesame Carnival participated in the 2026 New York Carnival Parade, held September 7 under the theme “M.A.S. — Music. Action. Soul.” Sesame Flyers International was also recognized among the parade’s grand marshals.
Now, just days after the 2026 celebration, the organization is publicly questioning whether it can return under the same conditions in 2027.
That makes this more than a complaint about one year’s parade. It potentially opens a much larger conversation about what Brooklyn Carnival should look like going forward.
Brooklyn’s Labor Day Carnival remains one of the largest public celebrations of Caribbean culture in North America. But a massive crowd alone does not guarantee that the traditions responsible for creating Carnival will survive.
Mas is craftsmanship.
Mas is storytelling.
Mas is music, design, wire bending, sewing, painting, performance and months of preparation.
Most importantly, Mas is culture passed from one generation to another.
Sesame Carnival’s decision puts a difficult question before New York’s Caribbean community: Can Carnival continue growing as a major public event if the people producing its central cultural product believe the existing structure is no longer working for them?
Sesame isn’t simply calling for a better parade.
It is calling for a conversation about investment, infrastructure, cultural education and the role Mas should occupy at the center of the entire Carnival experience.
And its willingness to “explore the alternative” suggests that conversation may have reached a critical point.
For an institution with decades invested in Brooklyn Carnival to consider sitting out Labor Day 2027 is significant.
Whether Sesame ultimately returns to Eastern Parkway may now depend on what happens long before the first costume, music truck or masquerader reaches the parade route.
Mas needs a reprieve. Carnival needs a reset.
The question now is whether the people responsible for shaping New York Carnival are prepared to make that reset happen.






